Tuesday, October 27, 2015

Book Review: The Immortals of Meluha

THE IMMORTALS OF MELUHA

   The Immortals of Meluha is the first book in Amish Tripathi’s Shiva Trilogy which is 439 pages long,divided into 26 chapters with a glossary of the Sanskrit/Hindi terminology. What makes this book, and the following two, a good read is the simplicity of language and an easy and racy narrative style. The plot hardly ever slows down enough for the reader to lose interest as one event leads to another.


   The story is set in a country not yet named India and at a time when the mountainous abode of Shiva was not known by the name of Tibet. In The Immortals of Meluha Amish presents Lord Shiva as a human God who was not born a God but was thrust into the role of one and fulfilled his destiny by making all the right choices and doing his duty towards mankind. So when people read the novel, they will feel as if God is someone who is one among us.

   Amish reintroduces us to some very basic tenets of human nature when he speaks of the prominent features of the Suryavanshi and Chandravanshi societies (the clan of the sun and the moon) and their differences. Mulling over this concept, I realized that in our real world, we can actually classify people into Suryavanshis and Chandravanshis too, based on their characteristics and personalities. Asuras or demons and Suryavanshis represent the male characteristics, while the Devas or gods and Chandravanshis represent the female features. Amish cleverly portrays how the Suryavanshis want the Mahadev to help them annihilate the Chandravanshis while the Chandravanshis are expecting Him to join their side against the Suryavanshis. The truth instead is that the Mahadev has to look beyond the petty bickering of the two clans and instead tackle a larger evil among them – all that threatens the very existence of humanity.

   The Immortals of Meluha reimagines Lord Shiva, one of the Holy Trinity of Hindu Gods, as a mortal champion destined for greatness, a change which is quite staggering in its implications since Lord Shiva is a part of the core Hinduism beliefs and a major of the religion’s mythology is built around him and his actions and his favours towards gods, mortals and demons alike. This change necessitates a rewrite of almost all of Lord Shiva’s own mythology and the people who interacted with him. To put it in a Western Christian context, imagine that God is not a God but a unique individual within a pre-existing Christian society and that he redefined the entire society and culture when He came into His own after facing numerous adventures and trials which tested His faith to its very limits.

Considering the novel entirely on its own merits, I’ll have to say that it is a truly wonderful debut. It has characters that I loved reading. The pacing is quite on the straight and narrow. The level of exploration of the internal mythology is superb. The novel seeks to turn some gender, societal and cultural norms on their head and present a modern Indian epic that can appeal to people who believe and support gender equality, while at the same time presenting these norms in their proper context.

   There is a level of pure excitement and energy in the way that Amish Tripathi directs the entire mystery and purpose of the “Neelkanth”. He intermixes the mythic clans of the Suryavanshis and Chandravanshis, descendants of the Sun and Moon respectively, into this mystery, represented by the people of the Kingdoms of Meluha and Swadweep. He also goes on to put the Nagas, a species of humanoidal snakes, as the antagonists, and so sets the stage for an epic conflict that has some interesting and far-reaching consequences for everyone involved. That Shiva, the Neelkanth, is the catalyst for these changes is another highlight of the novel, and it is an element that I feel Amish Tripathi captured really well. The author has taken core concepts of Hindu mythology, done his own unique spin on them, and then told a compelling and involved epic that feels true to the epic fantasy/mythological fantasy genre. His characters, such as Shiva himself and his intended romantic interest Princess Sati of Meluha, live and breathe as characters of worth and purpose, characters who have a potential that the author makes sure to take advantage of throughout the novel. Sati is definitely a standout character in several aspects, more so for the fact that she is rarely, if ever, a damsel in distress. She is a daughter of warriors and her beliefs and attitudes are true to that legacy. She stands alongside Shiva as an equal rather than someone used to move along his story

   Amish Tripathi uses a lot of modern jargon in the novel. It breaks the suspension of disbelief and breaks the setting. I am willing to give the author some benefit of the doubt since Indian terms and concepts do not translate well into English, but the author simply went overboard in this respect. This really could have been handled a lot better. The author describes many situations and often the characters mouth dialogues and terms as if they were living in the modern era instead of four millennia ago as per the tale settings. This was a point, which has been criticized by many readers as well as many critics and is a thoroughly valid one. This is the one major flaw of an otherwise very good debut. Many might feel that the story seems very formulaic by epic fantasy standards in spite of the Indian settings and that might something to keep in mind while reading this debut. The characters appear a bit two-dimensional and are also a bit predictable however since this is the first volume, I think we can wait to see how the individual and overall characters arc pan out in the remaining volumes.

   The story was based on Meluha—the probable ancient name for the Indus Valley Civilisation, according to modern historians. Tripathi also included the Indian Royal lineage of the Sun and the Moon Dynasties, calling them Suryavanshis and Chandravanshis. For the mythological parts in the novel, Tripathi relied on the stories and fables that he had heard in his childhood from his family. Tripathi's grandfather was a pundit and his parents are avid readers of Indian mythology, hence he found it easy to trust what he had heard from his parents and grandparents, and relied on them for the stories in the novel.

   This book will transport you to a different world, a world of perfection and chaos. Where life can be chosen and destroyed, immortality is blessed upon the citizen who leads a rather principled lifestyle without any form of rebellion. It is mythical journey of infinite possibilities. Though, the work is fiction. The author vivid imagination takes you to that journey steep in mystery . There is a clear description of places and events that will make you feel like you are reading an ancient history, that could have taken place thousands of years. It will engrossed you with the author’s riveting way of writing. This book captures how a warrior in search of his destiny , came to a land where he is worship as a God. He must make the decisions to fight against what is perceived as evil, only to find out the enemy is not really what he has always thought to be. He is made to question his own better judgement. An in this search to fight against evil, he has to sacrifice and lose out many things that has always been dear to him.

   The Immortals of Meluha is a ground-breaking novel that has set a new bar for Indian-themed fantasy, and thus it is of immense value in that respect alone. It shows that what Western mainstream fantasy has been doing for decades, Indian fantasy can do as well. I look on at it as an important milestone that has already put Indian fantasy on the world-map.


-          PRIYANKA TOMY

II MA Crit. Theory